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silentsod's avatar

MotoGP saw Marc vs Marco at Misano.

Marc, who has a great record at the track, failed to secure pole position for himself because Marco set an all time lap record to take the place. Marc started from second, Fermin Aldeguer from third, with DiGi from 4th, Jorge 5th, and Luca Marini with an all-time high (I think) 6th place qualifying. Alex Marquez and Pedro Acosta were both pushed down into the third row after disastrous and middling showings, respectively.

In the sprint Marc outbrakes Marco into turn one and proceeds to lead every single moment of the race in a show of total supremacy. Marc chose a medium rear tire over the soft and made it work. Marc is a small man and the medium tire takes longer to get into its good operating temperature which made the decision something of a surprise for the sprint. Bez was never broken and finished a second down.

Jorge, defending his championship lead, kept the points loss to a minimum after making two positions to finish 3rd. Pedro and Alex both fought well and moved up for 5th and 6th place finishes. Aldeguer instigated contact and fell back through the field to 8th.

Aldegeur and Zarco are both looking good, given their return from injury, and it is especially nice to see the Z on the bike after getting tangled with Bagnaia's motorcycle in a horrific crash.

In the race proper Bez was wise to Marc's plan for turn one and successfully defended. Bez looked sharp right up until he, once again, succumbed to pressure from Marc and crashed out of the race. Bez' rash of mistakes, after building a huge lead, makes it look like he still can't stay calm and consistent after all this time. Marc took first place and held the lead for a number of laps until a hard charging Jorge (who slid into third in the first few turns) put a move on Marc in lap 7 to seize the lead. Jorge's pace didn't last, however, and metronomic Marc reeled him back in over another 6 laps to retake first. Jorge now looked to defend against Alex Marquez, Pedro Acosta, and Fermin Aldegeur who all had better pace in the latter half of the race. Ultimately, he would be passed by all three in a serious blow to his championship.

Marc managed the race to the end and held off little brother, just barely, with Pedro and Fermin well behind.

Marc Marquez has closed down a one hundred and two point gap to become the current leader of the championship. Tied in points, but ahead in GP wins, with Jorge Martin.

They are in Austria at the Red Bull Ring, not always Marc's strongest track, this weekend.

Tom Klockau's avatar

The studio lights catch the faint dusting of powdered sugar on Jiminy Glick’s double-chin as he leans so far forward his nose is nearly touching a deeply uncomfortable Paul Niedermeyer. Jiminy is aggressively unwrapping a chocolate eclair, his breathing heavy and erratic.

JIMINY GLICK:

(High-pitched, breathless giggle) Paul! Paul, look at you. You look like a retired geography teacher who secretly hoards diesel fuel in his basement. It’s marvelous. Now, we were talking about your alleged digital empire, Curbside Classic, and your bizarre, almost erotic obsession with re-running Tom Klockau’s old articles four thousand times. But let's lift up the hood, shall we? Let's check the oil on a little something that’s been bothering me.

PAUL NIEDERMEYER:

(Shifting in his chair, smiling nervously) Oh? And what’s that, Jiminy?

JIMINY:

(Voice dropping to a dramatic, conspiratorial whisper) 2014, Paul. The year the music died. The year the velour went cold. The departure. Tom Klockau packed up his broughams, his landau roofs, his miniature die-cast models, and he left your little internet garage. Why, Paul? Why did he flee? Did you refuse to pay him in vintage hubcaps? Did you tell him his love for the 1978 Chrysler New Yorker was a psychological defect? Or did he just like 1976 Cadillac Sevilles so much your tiny ego couldn’t handle it?

PAUL:

(Waving his hand, trying to keep it light) Oh, come now, Jiminy. It wasn't like that at all. Tom just moved on to other writing opportunities. There was no grand drama. We still have an immense appreciation for his archive, which is why we—

JIMINY:

(Interrupting with a loud, sharp snort) Moved on? Moved on! Paul, darling, he didn't just move on; he moved in with your sworn enemy! He went over to Jack Baruth’s playground at Avoidable Contact! And let’s be honest—because honestly is all I have since my thyroid went rogue—he spends his days throwing digital tomatoes at your head!

PAUL:

(Fidgeting and coughing slightly) Well, the automotive blogging world is a small ecosystem. People poke fun. It's all in good—

JIMINY:

(Shrieks with delight, slapping his own thigh) Poke fun? Paul, he makes fun of you all the time! It’s delicious! I had Bram—my assistant, the one who looks like a disappointed turnip—print out the comments. They treat you like an old, stubborn German monk who refuses to look at any car made after 1971 unless it’s a rusty 1982 Toyota Starlet with a blown head gasket! They roast you, Paul! They roast you like a cheap chestnut on a New York street corner!

PAUL:

(Chuckling defensively) Look, Avoidable Contact has a very specific, aggressive tone. It's a different crowd. We focus on the social history of cars at CC. If they want to spend their time needling my editorial style or my affection for the Ford Falcon, that’s their prerogative.

JIMINY:

(Stuffing half the eclair into his mouth, talking through the custard) Mmm! The Falcon! See? You can't help it! But doesn't it sting, Paul? Doesn't it hurt your little radiator to know that while you are dutifully clicking "re-publish" on Tom’s 2012 article about a triple-maroon Imperial LeBaron for the forty-two thousandth time, Tom is over there laughing at you with the bad boys? It’s classic irony! It’s Shakespearean! It’s like a husband who keeps his ex-wife's portrait on the mantle while she’s down at the local tavern calling him a cheapskate nerd!

PAUL:

(Laughs nervously) I think you're over-dramatizing a few internet comments, Jiminy. The traffic on those reprints is still fantastic.

JIMINY:

(Wiping chocolate off his thumb onto Paul’s sleeve) Of course it is, darling, because your readers are all eighty-five and they forget they read it on Tuesday! You’re a genius, Paul. A cheap, repetitive, beautiful genius. Guess the extra $7.25 in ad revenue per month makes it all worthwhile, eh!

PAUL NIEDERMEYER:

(His smile stiffens, his posture going rigid as his face turns a shade of maroon usually reserved for a 1979 Buick Electra) Now, look here, Jiminy. I’ve been very patient, but Curbside Classic has built a highly respected, deeply analytical community over the last fifteen years. We don't resort to low-brow, sensationalized internet gossip. Tom and I simply had creative differences regarding the editorial direction and—

JIMINY GLICK:

(Leans completely out of his chair, flapping his hands wildly in Paul’s face) Paul, Paul, Paul. (Breathless, high-pitched giggle) Highly respected?! That's as delicious as the Black Forest chocolate eclair I had earlier! You can deny all you want, but the fact is you're an unfunny old poop and Tom absolutely hates you. (Shrieks with pure, unadulterated joy, slapping his chest) And it's marvelous! It is absolutely, deeply, profoundly delicious!

PAUL:

(Sputtering, adjusting his glasses furiously) I am not an "old poop," Jiminy! I have a very dry, ironic sense of humor that our core demographic thoroughly appreciates! And Tom does not hate me, he just—

JIMINY:

(Interrupting, popping a cherry tomato into his mouth) Oh, he detests you, darling! He despises you with the heat of a thousand faulty Pinto gas tanks! He’s over there at Avoidable Contact with Jack Baruth, drinking artisanal gin and writing five-thousand-word fictional comedies about how you forced him to look at rusty Datsuns and wartlike little Scion xBs with red wheels until his eyes bled! You’re a tyrant, Paul! A beige, Plymouth Colt Vista-loving dictator! One might even say, a Happy Honda humper!

PAUL:

(Genuinely huffy now, crossing his arms) If he hates me so much, he’s welcome to ask me to take down his articles. But he doesn't. You know why? Because deep down, he knows Curbside Classic is the only place that truly understands the cultural weight of a Brougham!

JIMINY:

(Staring at him with a mix of pity and horror) Oh, Paul. Honey. Angel. He wouldn't waste his time. He doesn't ask you to take them down because he wants you to re-run them! It’s his ultimate revenge! Every time you hit republish for the forty-two thousandth time, you're admitting to the whole world that you can't survive without him! He’s living rent-free in your archives, Paul! He’s rearranging the velour furniture in your mind!

(Suddenly gasps, clutching his chest as if having a medical emergency, his eyes widening to the size of saucers) But wait! Oh, my goodness, Paul, hold onto your hubcaps because we have a special guest!

(The studio monitors momentarily flash a garish, pixelated graphic of a 1976 Ford Elite as the curtain parts. Out steps Tom Klockau.)

Tom is dressed like a wealthy 1950s tourist who got lost on the way to the country club: a mint green golf shirt, paired with blindingly white slacks and Bass Weejuns. He looks like he just stepped out of a 1978 Cadillac brochure. He carries an aluminum pie tin piled high with what appears to be a mixture of shaving cream and cool whip.

Paul’s jaw drops. He begins to rise from his chair, a protest forming on his lips.

PAUL NIEDERMEYER:

Tom? What are you—

Tom doesn't say a word. He doesn't even make eye contact. Wordlessly, with the cold, calculated precision of a man who has spent a decade documenting the downfall of the American sedan and the rise of the potato-shaped crossover, Tom steps up to the desk. He delivers a textbook, full-palm pie directly into Paul’s face. SPLAT.

Shaving cream explodes across Paul’s glasses, filling his ears and dripping down his 1978 Sears flannel shirt. Without a single glance back, Tom turns on his heel, adjusts the collar of his mint green polo, flashes the peace sign to the studio audience, and leaves the stage in absolute, majestic silence.

For a second, the studio is dead quiet except for the sound of whipped cream ploinking off Paul’s nose.

Then, Jiminy collapses.

JIMINY:

(Shrieking, a sound like a kettle boiling over) OHHHHH MY GOD! OH MY— (He falls out of his chair, rolling onto the plush carpet, laughing so violently his entire body vibrates) HE PIED THE MONK! HE PIED THE BEIGE MONK!

Jiminy laughs so hard his face turns a deep, alarming shade of eggplant. He gasps for air, clutching his stomach, his face contorting into an expression of pure, unadulterated ecstasy. The sheer physical force of his amusement creates an unprecedented biological anomaly. POP.

With a sickening, hollow sound, a miniature cream eclair shoots clean out of Jiminy’s right tear duct, bouncing off the armrest of his chair and landing directly into Paul’s cream-covered lap.

JIMINY:

(Wheezing from the floor, pointing a trembling, sticky finger at Paul) Look at you! You look like a Brougham that went through a car wash with the windows down! Oh, the humanity! Bram, call an ambulance, my vision is creamy! Somebody hose off the beige monk!

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